Meet Michael Gudinski, the man behind Aussie music
From Jimmy Barnes to Kylie Minogue, Mushroom music founder Michael Gudisnki is the man behind some of Australia’s biggest artists.
I never played music. I’m not a frustrated pop star but I’ve always had a feel for it. You stay enthused because, you know what – there are people who are surgeons, firefighters… I’m very lucky to have the life I have.
I didn’t finish high school. I was promoting rock dances, putting up posters around town. I’ve been fortunate to find a job that I love and achieve what I’ve achieved. I’ve always had that principle – if you’re a plumber and love your job you’ll be a better plumber and a better person. It doesn’t matter what you do.
I started Mushroom when I was 20. It was a different era then. I never really had a long-term vision. I just roll with the flow, but I had a dream. (Former prime minister) Paul Keating said to me once, ‘I managed bands in the ’60s. You were in the right era. I couldn’t make a quid.’ He was a great inspiration to me.
Credibility is the most important thing you can have. When we started it was a very fly-by-night, backyard business. Australian fashion, Australian music and Australian cars were all second to the imports. To see music and fashion change that… if I’ve had a bit to do with that it makes me feel good.
I made a conscious decision to stay here in Melbourne. I could have been more successful if I’d moved to America or England, but I had such a special feeling about this town. I am quite humbled at being spoken of these days as having shaped the city in some way – and humble is not a word people generally associate with me.
We don’t have the Harbour Bridge or the Opera House but Melbourne has always had a much better layout for music. There were so many small venues that were the university for people like Paul Kelly. In that pub circuit you had to be a good live band to get to a certain point. Melbourne encouraged that. And then there’s venues like the MCG, Rod Laver Arena, Myer Music Bowl and the Forum in Flinders Street. These are some of the best venues anywhere in the world. It bothers me that a lot of Melburnians take that for granted.
Melbourne was the right place for the Australian Music Vault (a celebration of the Australian contemporary music story at the Arts Centre) of which I’m a patron. As we worked on it I said to (Premier) Daniel Andrews, ‘Whatever we do, it has to be free to get in’. I didn’t want anyone to look at it as a business. I felt it had to be in Melbourne and I worked tirelessly for it. Music is everywhere, so many different styles here. The love of music is so widespread.